Clinical Modernism: Art, Medicine and Experience in Vienna 1900, single-authored book in progress.

Facing the Modern: The Portrait in Vienna 1900, edited book (London: National Gallery Company in association with Yale University Press, 2013).

Journeys into Madness: Mapping Mental Illness in the Austro-Hungarian Empire, co-edited book with Sabine Wieber (New York: Berghahn, 2012).

Madness and Modernity: Mental Illness and the Visual Arts in Vienna 1900, co-edited book with Leslie Topp (London: Lund Humphries, 2009). Also available in German as Madness and Modernity: Kunst und Wahn in Wien um 1900 (Vienna: Christian Brandstätter, 2010).

‘In time the likeness will become apparent’: Rebecca Fortnum’s Feminist Copies' in R. Fortnum and A. Hunt, eds., Rebecca Fortnum: 'A Mind Weighted with Unpublished Matter' (London: Slimvolume, 2020), 4-21.

‘Egon Schiele’s Passion: Spirituality and Sexuality, 1912-15’ in Tobias Natter (ed), Egon Schiele: The Complete Paintings (Munich: Taschen, 2017), 196-297.

‘Confessional Painting: Recent Work by Chantal Joffe’ in Chantal Joffe (London: Victoria Miro, 2016).

‘Dead Men and their Naked Truths’ in Mary Doyle and Kate Macfarlane (eds), The Nakeds (Manchester: Cornerhouse, 2014), 12-29.

‘The Modernist Offence: Schiele and the Naked Female Body’ in Barnaby Wright and Peter Vergo (eds), Egon Schiele: The Radical Nude (London: Paul Holberton Publishing in association with The Courtauld Gallery, 2014), 30-49.

‘On Stage: The New Viennese’ in Facing the Modern: The Portrait in Vienna 1900, edited book (London: National Gallery Company in association with Yale University Press, 2013), 13-33.

‘Past Times and Present Anxieties at the Galerie Miethke’ in Facing the Modern, 35-61.

‘The Appeal of the Artist: Self Portraits by Klimt, Schiele and Schoenberg’ in Facing the Modern, 111-131.

‘Peter Altenberg: Authoring Madness in Vienna c. 1900’ in Journeys into Madness: Mapping Mental Illness in the Austro-Hungarian Empire, co-edited book with Sabine Wieber (New York: Berghahn, 2012), 109-129.

‘Scrutinised Bodies and Lunatic Utopias: Mental Illness, Psychiatry and the Visual Arts in Vienna, 1898-1914’ (with Leslie Topp) in Madness and Modernity: Mental Illness and the Visual Arts in Vienna 1900, co-edited book with Leslie Topp (London: Lund Humphries, 2009), 14-37.

‘Mad Modernists: Imaging Mental Illness in Viennese Portraits’ in Madness and Modernity, 46-65.

'Everything Painted Blue: A Letter to Bessie Bruce (1886 – 1921)', Prova (School of Arts and Humanities Research Journal, Royal College of Art), 5, 2020, 198-199.

'Rediscovered Drawings by Erwin Dominik Osen', The Burlington Magazine, Issue 162, March, 2020, 224-227.

‘Mother Figure: Gemma Blackshaw on Chantal Joffe’, Elephant, May 2018.

‘“Crazier than I am, or crazier than I look?” Self-Portraits by Egon Schiele’, Tate Etc. Issue 43, May 2018.

‘Good Timing’ (On collaborating with artist David Austen in The Nakeds), Drawing Room Online Resources, September 2014.

‘Rediscovering Anton Romako’ in ‘From Ausgleich to Jahrhundertwende: Literature and Culture 1867-1890’, Austrian Studies, 16, 2008, 105-122.

‘The Pathological Body: Modernist Strategising in Egon Schiele's Self-Portraiture’, Oxford Art Journal, 30:3, 2007, 377-401.